The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve...(展开全部)

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experi...(展开全部)

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experi...(展开全部)

高居翰（1926—2014） 加州大学伯克利分校艺术史和研究生院教授，1997年获该校终身成就奖；亦曾长期担任华盛顿弗瑞尔美术馆中国书画部顾问。2010年，史密森尼学会授予其查尔斯·朗·弗瑞尔奖章（Charles Lang Freer Medal），表彰他对亚洲和近东艺术史的杰出贡献。高居翰教授的著作多由在各大学授课时的讲稿修订，或充分利用博物馆资源编纂而成，皆是通过风格分析研究中国绘画史的经典书籍，享有世界范围的学术声誉。 李 渝（1944— ） 台湾大学外文系毕业，加州大学伯克利分校硕士、博士，师从高居翰。在中国美术方面著有《清末的市民画家——任伯年》、《中国现代绘画中的民族主义与先进风格》、《唯美与现实——文革以后中国绘画》等文。也从事小说创作、文学及影剧评论。

作者 [美]乔治·罗丽（George Rowley, 1893—1962），普林斯顿大学艺术与考古系教授，兼任该校艺术博物馆中国展区策展人。作为“普林斯顿学派”的奠基者，罗丽教授也是美国远东艺术史学科建立发展的重要影响者之一。 译者 马梦莹，北京大学艺术学院在读博士生，主要研究方向为中国宗教美术史、画学文献。

Centring on "words" which connect vocabulary and semantic morphemes, this book makes a systemic and in-depth analysis on the study of modern Chinese lexicology. Firstly, it clarifies the definitions and properties of vocabulary, words and semantic morphemes in Chinese. Then the structure forms of Chinese words are examined. It is worth noting that this research is one of the fi...(展开全部)

Centring on "words" which connect vocabulary and semantic morphemes, this book makes a systemic and in-depth analysis on the study of modern Chinese lexicology. Firstly, it clarifies the definitions and properties of vocabulary, words and semantic morphemes in Chinese. Then the structure forms of Chinese words are examined. It is worth noting that this research is one of the fi...(展开全部)

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them d...(展开全部)

The Chinese way of appreciating a painting is often expressed by the words du hua," to read a painting." How does one do that? Because art is a visual lanuage, words alone cannot adequately convey its expressive dimension. How to read Chinese Paintings seeks to visually analyze thirty-six paintings and calligraphies from the encyclopedic collection of the Metripolitan Museum of...(展开全部)